(Un) Filteted Expression: Juxtaposing American and Indonesia Male Beauty YouTubers

Authors

  • Galant Nanta Adhitya English Literature Study Program, Universitas Respati Yogyakarta, Yogyakarta, Indonesia Author
  • Yohanes Angie Kristiawan English Language Education Study Program, Universitas Prima Indonesia, Medan, Indonesia Author
  • Rudy Rudy English Language Education Study Program, Universitas Prima Indonesia, Medan, Indonesia Author
  • Anna Sriastuti English Literature Study Program, Universitas Kristen Satya Wacana, Salatiga, Indonesia Author
  • Simon Ntamwana Department of Languages and Humanities, Ecole Normale Supérieure du Burund, Bujumbura, Burundi Author

Keywords:

gender, globalization, identity, popular culture

Abstract

YouTube is integral in everyone’s everyday lives. Despite being highly saturated, beauty contents outweigh other categories. In 2019, three out of four most-subscribed beauty YouTubers were male, which is an anomaly because ‘male’ and ‘beauty’ are never used to define one another. The predicament shifts as user-generated contents facilitated by social media give rise to male beauty YouTubers. Although early beauty YouTubers were mainly Americans, their subscribers came from all around the world. Witnessing them expressed their true selves and achieved success attracted their subscribers, including those in Indonesia, to be creators as well. Given the socioeconomic and cultural differences between the US and Indonesia, this research aims to compare the American and Indonesian male beauty YouTubers. Within Transnational American Studies, production analysis of popular culture is used to analyze three American male beauty YouTubers: James Charles, Jeffree Star and Bretman Rock; and three Indonesian male beauty YouTubers: Jovi Adhiguna, Andreas Lukita and Yudhistira El Vedayadi. The findings show Pieterse’s three paradigms of globalization. (1) Cultural differentialism is apparent in their aesthetic and their attitude regarding their sexual orientation. (2) Cultural convergence is noticeable as they all talk in drag lingo, accompanied by over-the-top feminine body language. (3) Cultural hybridization is seen as they accentuate femininity, yet still maintain masculinity. In sum, offline lives are transported into online lives. Subscribers demand authenticity from the YouTubers they watch, the unfiltered ones thus can gain global success, while the filtered ones cannot.

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Published

2024-12-23

How to Cite

(Un) Filteted Expression: Juxtaposing American and Indonesia Male Beauty YouTubers. (2024). ASTEEC Conference Proceeding: Social Science, 1(1), 178-190. https://proceedings.asteec.com/index.php/acp-ss/article/view/79